Pete Allen Newsletter May 2023
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Ravinder Athwal – Director of Policy – Labour Party asked for submissions to the Labour Parties policy formulation by the 8th February 2024 My submission contains an introduction and summary and deals with: The lack of art form policies, planning and impact analysis Arts Council England growth of National Portfolio Organisations and lottery funding Music…
Press Release Extension of deadline to midnight on Wednesday 1st September 2021 for completion of questionnaires for the All Party Parliamentary Jazz Appreciation Group Review Of Jazz In England Following an enforced delay due to the global pandemic and a year of unprecedented change, challenges, and specific hardships for working musicians, promoters,venues, jazz organisations, studios,…
I was bemused to read in the article “Time for Change” that Arts Council England gives 16% of its music funding to jazz. My last calculation in “Public Investment in Jazz 2012-2022” (see https://www.chrishodgkins.co.uk/wp-content/uploads/2017/08/Public-investment-in-jazz-2012-to-2022.pdf) showed that of the total funding of music for Regularly Funded Organisations was £359 million of which jazz accounted for £6.9million or 1.9%. For…
On the 16th July 2017 the Observer reported that the Arts Council had rejected an application from the Music Venue Trust for support for venues. I am not surprised the Arts Council rejected the Music Venue Trust’s application, as the majority of the Arts Councils funding decisions are based on the bounded rationality of the…
Joshua Reynolds when he returned from his painter’s apprenticeship in Rome picked up a copy of Samuel Johnson’s biography of Richard Savage and read it “while he was standing with his arm leaning against a chimney-piece. It seized his attention so strongly, that, not being able to lay down the book until he had finished,…
Congratulation to Oliver Dowden Secretary of State Culture, Media and Sport on listening and delivering a £1.5 billion rescue package for the arts. However there are caveats; where and how will the money be spent, who will deliver the money to beleaguered organisations, especially volunteer promoters and musicians? Will under-represented musics find a place in…